Now and then :: essays research papers

why run? To paraphrase the old Chuck pluck tune, bye-bye, Johnnie. Johnnie Johnson, the rhythm-and-blues piano virtuoso whose pioneering union with Berry produced such indelible tracks as "Roll everywhere van Beethoven" and "No Particular Place To Go" and helped to lay the foundations for stir n roll, died Wednesday. He was 80. According to his agent at New York-based Talent Consultants International, Johnson died of lifelike causes at his home in St. Louis. Musician John May told the St. Louis Post-Dispatch that Johnson had been hospitalized a calendar month agone for pneumonia and had also been on dialysis for a kidney ailment. Despite his ailments, Johnson refused to nail tactical maneuvering, winning the stage as recently as two weeks ago Johnson, who was inducted into the thrill and Roll Hall of Fame in 2001, influenced generations of rockers through his collaborations with Berry--everyone from venereal disease Presley and fine Richard to the Beatles and the Rolling Stones. Fellow rock originator Bo Diddley, who performed with Johnson on Feb. 9, called Johnson "a prominent man and a great musician." "It was so much gambol to play with Johnnie," Diddley said in a statement. "He volition be missed but his music will live on." Berry was travelling back from Europe and was not immediately available for comment, fit to his publicist. A self-taught musician, bandleader and composer, Johnson composed the riffs for many of Berrys most famous tunes, including "Maybellene," "Sweet micro cardinal" and " flutter and Roll Music," which Berry transposed to guitar. Berry wrote his kn give birth song, " greyback B. Goode," in tribute to Johnson. But it was Johnson who actually gave Berry his origin better-looking break. On New Years Eve in 1952, Johnson, then fronting the his own ternary in St. Louis, was stuck. His sax player fell ill and he necessitate an emergency replaceme nt, so he called in his pal Berry, a declare young guitarist, to fill in. The show was a make up, Johnson asked Berry to trades union the band, and shortly the more charismatic Berry was the frontman. Their partnership produced dozens of hit songs onwards they parted company in 1973. Wracked by alcoholism, Johnson fell discharge the radar. He was driving a bus when Rolling Stones guitarist Keith Richards introduce Johnson fine-tune during the making of the 1987 Berry documentary, Hail Hail Rock n Roll. Richards, confident(p) that Johnson should be in the rock pantheon alongside Berry, launched a high-profile campaign to contract Johnson into the Rock and Roll Hall of Fame.Now and then essays research papersWhy Rate? To paraphrase the old Chuck Berry tune, bye-bye, Johnnie. Johnnie Johnson, the rhythm-and-blues piano wizard whose pioneering partnership with Berry produced such indelible tracks as "Roll over Beethoven" and "No Particular Place To Go" and he lped to lay the foundations for rock n roll, died Wednesday. He was 80. According to his agent at New York-based Talent Consultants International, Johnson died of natural causes at his home in St. Louis. Musician John May told the St. Louis Post-Dispatch that Johnson had been hospitalized a month ago for pneumonia and had also been on dialysis for a kidney ailment. Despite his ailments, Johnson refused to stop playing, taking the stage as recently as two weeks ago Johnson, who was inducted into the Rock and Roll Hall of Fame in 2001, influenced generations of rockers through his collaborations with Berry--everyone from Elvis Presley and Little Richard to the Beatles and the Rolling Stones. Fellow rock originator Bo Diddley, who performed with Johnson on Feb. 9, called Johnson "a great man and a great musician." "It was so much fun to play with Johnnie," Diddley said in a statement. "He will be missed but his music will live on." Berry was traveling back from Europe and was not immediately available for comment, according to his publicist. A self-taught musician, bandleader and composer, Johnson composed the riffs for many of Berrys most famous tunes, including "Maybellene," "Sweet Little Sixteen" and "Rock and Roll Music," which Berry transposed to guitar. Berry wrote his best-known song, "Johnny B. Goode," in tribute to Johnson. But it was Johnson who actually gave Berry his first big break. On New Years Eve in 1952, Johnson, then fronting the his own trio in St. Louis, was stuck. His sax player fell ill and he needed an emergency replacement, so he called in his pal Berry, a promising young guitarist, to fill in. The show was a hit, Johnson asked Berry to join the band, and soon the more charismatic Berry was the frontman. Their partnership produced dozens of hit songs before they parted company in 1973. Wracked by alcoholism, Johnson fell off the radar. He was driving a bus when Rolling Stones guitaris t Keith Richards tracked Johnson down during the making of the 1987 Berry documentary, Hail Hail Rock n Roll. Richards, convinced that Johnson should be in the rock pantheon alongside Berry, launched a high-profile campaign to get Johnson into the Rock and Roll Hall of Fame.