The Kiss: Brancusi and Rodin

Auguste Rodin was a French machinationist around famous for his sculpting. He was natural in 1840 and survived into the Twentieth century, dying in November of 1917. He possessed and innate ability to sculpt in clay, creating impulsive movement in roughly pock marked human figures with a high degree of realism. His organize was not well received initially though he came into vogue rather quickly.He was aimed in a traditional manner on the Ecole de Beaux Arte in Paris besides in his score he was in the vanguard of the movement toward modern sculpture (Wikipedia.org Rodin). Constantin Brancusi was born in Romania in 1876 and died in 1957. His sculptures were simple, reflecting his background as a stonemason in his native land. Having run away from home at an earlyish age to escape the abuse of his father and br giveer(a)s, he im touch an employer with his newspaper clipping ability and the man financed his secondary education at a crafts school where he graduated with honors . He then attended the Buch atomic number 18st shallow of Fine Arts (Wikipedia.org Brancusi).Brancusi made his way to Paris, the center of the world of art at that time, and made the acquaintance of fellow artists and intellectuals (Franck & Liebow). For two years he labored in the florahop of Antonin Mercie of the Paris Ecole des Beaux Arte. At that headway he was invited to work with the master, Auguste Rodin. Brancusi recognized the genius of Rodin barely apparently mat up smothered by the essence of the great sculptor and left subsequently a few months. He was quoted as adage that, Nothing rat grow under big trees, (Wikipedia.org Brancusi) Rodin was, at his core, a naturalist, and as consumed with the feeling and character he found in the model as he was in faithfully rendering an exact likeness.He also, it was said, believed, more so than other sculptors, that a humans character is revealed in his physical features. His supposition was that every portion of the scu lpted work had a part to lend in communicating the feeling, power and inner strength of the work. The grip of the toes, for instance, in his mind, is depicted to show the intensity with which the subject is going about his task. What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes (quoted in Wikipedia.org Rodin) he said.While most of Paris sculptors were working in clay and having their work soak up in bronze, Brancusi most often labored as a ships boat and utilized the look method of creating his sculpture. He removed the superfluous strong and was left with his creation. In the case of his pilot burner The Kiss, (there are several versions), as the old saw goes, he simple cut off everything that did not look like a pair of kissers. Carved in limestone, it measures 23 x 13 x 10 . It is a highly sty lize depiction of a man and woman face to face, their arms entwined, their lips pressed together and their bodies touching.The work gives the impression that the two are so confined and joined in cheat and sensuality that they have become one. Rodins version of the same subject is likewise carved directly into stone, in this case, marble, though there exist many replicas of the work in bronze, figure from Rodins original carving. The original title was Francesca da Rimini and depicted a scene from Dantes Inferno. It represents an Italian noblewoman who falls in love with her husbands younger brother. The couple are nude and embracing, with their lips close, from each one to the other, but not actually touching, so the kiss is not consummated.Both works by these two contemporary masters, working in the same city, are of the same subject and both are carved directly into stone. here(predicate) the sympatheticity between the two ends. Rodins powerful style is seen in the work an d there is no question as to what he mode to say. The sensuality of the Rodin work is manifest in the texture of the musical composition and the version of muscle and bone. There is a tension in the work that is palpable. Brancusis Kiss is simple and direct. It is highly stylized and cubistic in its conception.There is more than a hint of the primitive in the statue. The two artists chose to handle form in a drastically different manner while addressing the same theme. Rodins work and even its original title fire sensuality, love and perhaps even outright sin. Brancusis Kiss is more significative of love than of passion (Art 101). It is static and has no movement to it. The two piece depicted in Brancusis work are bonded as if they are one unit, suggesting a stability and deeper emotional unity than that conveyed by RodinThe two artists have, as would have likely pleased Robert Frost, take upn different roads. It is not certain which of the two men chose the one less traveled but there are differences that make it obvious that they diverge. As to which is the better work, that is not possible to determine, for art, like much of life, is subjective and largely up to person taste.But Rodins work is more academic and conventional where Brancusis work is more primal and addresses a basic emotion in the nitty-gritty and soul of humanity in perhaps a more direct manner. It is possible to dismiss Brancusis work at first glance, saying that a child could have done it, while Rodins piece has a realism that would belie such a thought.There are those critics who suggest that the Emperor is indeed nude and the Brancusi work is a joke foisted on the art public much like the attitude many take toward the works of Picasso. Rodins work became acceptable after a full stop of adjustment and the public began to understand what he meant to convey. Brancusis work is similar in that aspect, and more acceptable as the public gets past their original assessment. Still, both pieces are from the hand of a master who has chosen his profess method of bringing his vision to the world.Works Cited.Franck, D. and Liebow, C. Bohemian Paris Picasso, Modigliani, MatisseAnd the Birth of fresh Art New York Grove Press 2001Wikipedia.org Auguste Rodin 2007 Retrieved 6-7-07 fromhttp//en.wikipedia.org/wiki/Auguste_Rodinhttp//en.wikipedia.org/wiki/Constantin_Brancusi_note-brainjuice